赵家琦,伦敦大学亚非学院硕士、台湾清华大学博士,现为台湾中兴大学中国文学系副教授。研究领域包括近现代上海文学及张爱玲1950年以后的
创作。相关论文发表于《汉学研究》、《清华学报》与《人文中国学报》等期刊,以及《翻译史研究》等论文集。
Chia-chi Chao holds an M.A. from the School of Oriental and African Studies, University of London, and a Ph.D. from National Tsing
Hua University, Taiwan. She is currently an Associate Professor in the Department of Chinese Literature at National Chung Hsing
University, Taiwan. Her research interests include modern Shanghai fiction and the post-1950s literature of Eileen Chang. She has
published a number of articles on Chang’s works in journals such as Chinese Studies, Tsing Hua Journal of Chinese Studies, and
Journal of Chinese Humanities, as well as in edited volumes in both Chinese and English.

黄淑嫻,香港嶺南大學中文系副教授。她的研究興趣主要集中在香港文學与文化、文學与電影的比較研究,以及旅行文學。她著有《書寫书写:电
影、文學与日常生活》与《香港影像書寫:作家、文學與電影》。主要编辑作品包括「一九五O年代香港文學與文化叢書」(六冊)、《香港.一九六
O年代》及《也斯的六O年代》。此外,她也发表随笔、小說与詩歌。她还是紀錄片《1918:刘以鬯》与《東西:也斯》的聯合監製。
Dr. Mary Shuk-Han WONG, Associate Professor at the Chinese Department, Hong Kong Lingnan University. Her research interest
focuses on Hong Kong literature and culture, the comparative study of literature and cinema, and travel literature. She is the author
of Feminine Writing: Cinema, Literature and Everyday Live and Hong Kong Cinema: Writer, literature and Cinema. Major edited works
are ‘Hong Kong Literature and Culture of the 1950s series’ (6 volumes), Hong Kong :1960s and The 1960s of Leung Ping Kwan. She also
publishes essays, stories and poems. She is the co-producer of the documentaries 1918: Liu Yichang and Boundary: Leung Ping Kwan.

Moderator:

彭芸,夏威夷大学马诺阿分校东亚语言与文学系副教授,同时兼任该校中文旗舰项目的合作教师。她在明尼苏达大学获得比较文学博士学位。她
的研究兴趣包括中国现代文学、中国电影、文学批评与电影理论。目前,她的研究工作主要聚焦于当代中国独立纪录片。
Yun Peng, Associate Professor at the Department of East Asian Languages and Literatures and Affiliated Faculty of Chinese
Flagship at University of Hawai'i at Mānoa. She received a Ph.D. in Comparative Literature from University of Minnesota. Her
research interests include modern Chinese literature, Chinese cinema, literary criticism, and film theory. Her current work focuses on contemporary Chinese independent documentaries.

University of Hawai'i at Manoa Center for Chinese Studies

Baoyan Cheng, Appointed Director

Ni Zhang, Associate Director

Adriana Choi, Academic Support Specialist

本次研讨会以张爱玲剧作改编电影《太太万岁》为切入点,探赜该片聚焦家庭主妇的伦理叙事,及其与张早期影评的思想连系;并以香港电懋/国泰影业的同名电影为对照,论
析该片就「太太」故事的跨时代新诠与跨地域改造。藉由对读两部文本在角色设计与叙事经营上的异同,本讲座将管窥沪、港影艺发展的迁衍轨迹。
This talk examines the film Long Live the Missus! (1947), based on a screenplay by Eileen Chang for the Shanghai Wenhua Film Company. It explores the film’s domestic narrative, with a particular focus on the role of the “housewife” and the ethical concerns echoed in Chang’s early film criticism. The discussion then shifts to Darling, Stay at Home (1968), a reinvention produced by Hong Kong’s Cathay Organisation under the same Chinese title. It foregrounds the heroine’s dual roles as housewife and career woman, emphasizing costuming and disguise as dramatic devices, while female solidarity emerges as a social force reframing the marital dynamics in the 1947 film. By tracing the cinematic evolution of these two films, this talk demonstrates how changes in character portrayal and narrative strategies reflect the transformation of bourgeois cinema from Shanghai to Hong Kong across different eras.