Dr. Marcella Szablewicz

Associate Professor of Communication and Media Studies, Pace University, NYC

Given the popularity of video games throughout the world, and, especially in China, it may seem self-evident that they contain the capacity for fun. Yet a central paradox of game studies is that fun, despite being a salient outcome of playing games, is often avoided as a subject of journalistic and scholarly inquiry. Those who study digital gaming in China are confronted with an even more confounding situation, given that in the dominant discourse surrounding digital games in China the capacity for fun is not only absent, but also directly contested. Indeed, in studying government, media, and even academic writing on the subject one could not be faulted for reaching the counterintuitive conclusion that Chinese games and gamers are and have no fun.  This talk takes as its starting point the discursive construction of Chinese digital games and gamers via an analysis of recent English and Chinese-language media reports and academic discussions. I first examine how dominant portrayals of both the Chinese gaming industry and Chinese gamers serve to perpetuate the orientalist myth that Chinese games and gamers are incapable of fun. I then turn my attention to the question of why there is so little academic discussion of fun in games studies more generally, and how we might meaningfully conceptualize it. I conclude by considering why a reimagining of the fun of video games in the Chinese context is a necessary step for future scholarship.

Dr. Marcella Szablewicz is an Associate Professor of Communication and Media Studies at Pace University in New York City where she teaches courses about digital media and moral panics about new communication technologies. Her research focuses on contemporary Chinese youth and digital media and she is particularly interested in discourses about technology and the constructed division between productive and unproductive online pursuits. Dr. Szablewicz’s research has been published in peer-reviewed journals such as Games and Culture, China Information and the Chinese Journal of Communication.  Her first book, Mapping Digital Game Culture in China: From Internet Addicts to Esports Athletes (Palgrave, 2020), was the result of ethnographic research conducted in China over the course of more than a decade.